"The Firebird Suite *: Finale" by Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari was released on August 3, 1990. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Stravinsky: Firebird (The) / Petrushka / Suites Nos. 1 and 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. The Firebird Suite *: Finale is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird Suite *: Finale by Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Peer Gynt, Op. 23, Act 3: No. 12, The Death of Åse | Edvard Grieg, Paavo Järvi, Estonian National Symphony Orchestra | F Major | 0 | 7B | 81 BPM | ||
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
Fantasien op. 116: Intermezzo: Adagio | Johannes Brahms, Martin Tchiba | E Major | 0 | 12B | 66 BPM | ||
Romeo and Juliet, Op.64: Montagues and Capulets | Sergei Prokofiev, Rotterdam Philharmonic Orchestra, Edo de Waart | A Minor | 1 | 8A | 113 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
The Rite of Spring, Part 1: I. Adoration of the Earth | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | D Major | 0 | 10B | 79 BPM | ||
La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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