Franz Schubert, Orphei Drängar, Folke Alin, Robert Sund's 'Der Gondelfahrer, Op. 28, D.809' came out on May 1, 2000. The duration of Der Gondelfahrer, Op. 28, D.809 is about 3 minutes long, at 3:03. Based on our data, "Der Gondelfahrer, Op. 28, D.809" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schubert: Male Choruses". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Sweden. Der Gondelfahrer, Op. 28, D.809 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Gondelfahrer, Op. 28, D.809 by Franz Schubert, Orphei Drängar, Folke Alin, Robert Sund having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Final Fantasy X - Hymn of the Fayth | Kazushige Nojima, Masashi Hamauzu, Nobuo Uematsu, Myrra Malmberg, Orphei Drängar, MOD | D Minor | 2 | 7A | 130 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Aftenstemning, FS 48 (Evening Mood) | Carl Nielsen, Orphei Drängar, Robert Sund | D♭ Major | 0 | 3B | 141 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | E♭ Major | 2 | 5B | 64 BPM | ||
Ravel: Ma mère l'oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A♭ Minor | 0 | 1A | 122 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Glad såsom fågeln | Prins Gustaf, Herman Sätherberg, Orphei Drängar, Eric Ericson | E Major | 0 | 12B | 104 BPM | ||
2 Elegiac Melodies, Op. 34: II. The Last Spring | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Fauré: Messe basse: Benedictus | Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger | A♭ Major | 0 | 4B | 75 BPM |
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