"Fauré: Messe basse: Benedictus" by Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger was released on 1998. The duration of Fauré: Messe basse: Benedictus is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Fauré: Messe basse: Benedictus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 19 in Fauré: Requiem, etc. by Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Fauré: Messe basse: Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Messe basse: Benedictus by Gabriel Fauré, Choir of King's College, Cambridge, Paul Smy, John Butt, Philip Ledger is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Te Deum laudamus | Antonín Dvořák, Ewa Biegas, Orfeón Pamplonés, Orquesta Sinfonica de Navarra, Antoni Wit | B♭ Minor | 0 | 3A | 79 BPM | ||
Requiem No. 1 in C Minor: Pie Jesu | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 0 | 4A | 75 BPM | ||
Miller / Arr. Rutter, Webbe: When I Survey the Wondrous Cross | Edward Miller, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | E♭ Major | 1 | 5B | 77 BPM | ||
Fauré: Three Melodies for Voice and Piano, Op. 23 - 1. Les berceaux | Gabriel Fauré, Maria Belooussova, Wolfgang Holzmair | E♭ Minor | 1 | 2A | 178 BPM | ||
Dear Lord and Father of Mankind | Hubert Parry, Roland Roberts, Choir of King's College, Cambridge, Richard Farnes, Stephen Cleobury | E♭ Major | 1 | 5B | 81 BPM | ||
Just As I Am, Without One Plea (Saffron Walden) | Dennis Brown, Choir of King's College, Cambridge, Stephen Cleobury | D Major | 1 | 10B | 128 BPM | ||
Stabat Mater: 8. Fac ut ardeat | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 2 | 6A | 110 BPM | ||
Te Deum, WAB 45: 2. Te ergo | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | F Minor | 1 | 4A | 85 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM |
Section: 0.7732021808624268
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