"A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl" by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop was released on April 1, 2005. The duration of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl is about 3 minutes long, at 3:20. Based on our data, "A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 22 in Bartok: Miraculous Mandarin (The) (Complete Ballet) / Hungarian Pictures / Dance Suite by Béla Bartók. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: Suddenly the Mandarin’s head appears between the pillows and he looks longingly at the girl by Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pieces, Op. 6 (revised version): I. Langsam | Anton Webern, Philharmonia Orchestra, Robert Craft | A Minor | 0 | 8A | 0 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |
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