"Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt" by Franz Liszt, Nelson Freire was released on January 1, 2011. The duration of Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Liszt, Nelson Freire's "Liszt: Harmonies du Soir" album is number 5 out of 13. Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt by Franz Liszt, Nelson Freire to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne in C-Sharp Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | D♭ Minor | 0 | 12A | 72 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
Piano Concerto in E-Flat Major: II. Lento espressivo | John Ireland, Bryden Thomson, London Philharmonic Orchestra, Eric Parkin | B Major | 0 | 1B | 71 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Piano Sonata No. 3 in F Minor, Op. 5: 4. Intermezzo (Andante molto) | Johannes Brahms, Nelson Freire | E♭ Major | 2 | 5B | 123 BPM |
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