Franz Lehár, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Lotte Rysanek, Vienna State Opera Orchestra made "Die lustige Witwe: Wie die Blumen im Lenze erblüh'n / Ballsirenenwalzer" available on September 1, 2010. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Die lustige Witwe: Wie die Blumen im Lenze erblüh'n / Ballsirenenwalzer is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die lustige Witwe: Wie die Blumen im Lenze erblüh'n / Ballsirenenwalzer by Franz Lehár, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Lotte Rysanek, Vienna State Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
Liebe du Himmel auf Erden | Anna Maria Kaufmann | G Major | 3 | 9B | 80 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Wiener Frauen: XII. Szene "Wenn ich an gestern Abend" | Franz Lehár, Thomas Blondelle, Gerd Vogel, KS Josef Forstner, Marie-Luise Schottleitner, Susanna Hirschler, Elisabeth Zeiler, Klára Vincze, Marius Burkert, Franz Lehár Orchester | F Minor | 3 | 4A | 79 BPM | ||
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
Le Nozze di Figaro, K. 492: Atto primo. Scena 5. N.6 Aria Cherubino "Non so più cosa son" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, René Jacobs | E♭ Major | 1 | 5B | 79 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM |
Section: 0.7649917602539062
End: 0.770637035369873