Josef Strauss, Wiener Symphoniker, Manfred Honeck's 'Dorfschwalben aus Osterreich, Op. 164' came out on June 23, 2014. Since Dorfschwalben aus Osterreich, Op. 164 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wiener Symphoniker, Manfred Honeck's "Johann Strauss" album is number 5 out of 12. In terms of popularity, Dorfschwalben aus Osterreich, Op. 164 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dorfschwalben aus Osterreich, Op. 164 by Josef Strauss, Wiener Symphoniker, Manfred Honeck to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sleeping Beauty Waltz | Pyotr Ilyich Tchaikovsky, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | B♭ Major | 2 | 6B | 105 BPM | ||
Voices of Spring, Op.410 (Frühlingsstimmen) | Johann Strauss II, Wiener Symphoniker, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 100 BPM | ||
Symphony No. 3 in E Major, Op. 51: V. Finale: Allegro ma non troppo | Max Bruch, Hungarian State Symphony Orchestra, Manfred Honeck | C Major | 1 | 8B | 138 BPM | ||
Una voce poco fa from The Barber of Seville - Vocal | Gioachino Rossini, Ion Marin, Wiener Symphoniker | F Major | 0 | 7B | 65 BPM | ||
Pegasus-sprünge, Op. 51 (Arr. for Orchestra by Kurt Schmid) | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 155 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM | ||
Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
Masquerade Suite: III. Mazurka | Aram Khachaturian, Karen Khatchaturian, Moscow RTV Large Symphony Orcherstra | E Minor | 4 | 9A | 96 BPM |
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