Gioachino Rossini, Ion Marin, Wiener Symphoniker's 'Una voce poco fa from The Barber of Seville - Vocal' came out on 1961. With this song being about 5 minutes long, at 5:25, "Una voce poco fa from The Barber of Seville - Vocal" by Gioachino Rossini, Ion Marin, Wiener Symphoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Rossini - Greatest Hits". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Una voce poco fa from The Barber of Seville - Vocal is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Una voce poco fa from The Barber of Seville - Vocal by Gioachino Rossini, Ion Marin, Wiener Symphoniker having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Nozze di Figaro, Act 1: Non so più cosa son | Wolfgang Amadeus Mozart, Ann Murray, Riccardo Muti, Wiener Philharmoniker | E♭ Major | 1 | 5B | 79 BPM | ||
Le Nozze di Figaro, Act 1: Cinque dieci | Wolfgang Amadeus Mozart, Thomas Allen, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 134 BPM | ||
Largo al factotum (Act I) | Cesare Sterbini, Gioachino Rossini, Royal Philharmonic Orchestra, Owain Arwel Hughes | G Major | 3 | 9B | 70 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Major | 2 | 9B | 105 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | ||
Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 100 BPM |
Section: 0.586557149887085
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