"Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis" by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse was released on 1995. The duration of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 28 in Carmina Burana by Carl Orff. In terms of popularity, Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Orff: Carmina Burana, Pt. 1, Uf dem Anger: Floret silva nobilis by Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo, Schaunard, Colline, Marcello) | Giacomo Puccini, Barbara Hendricks, Francesco Ellero D'Artegna, Gino Quilico, James Conlon, José Carreras, Orchestre National De France, Richard Cowan | A Major | 0 | 11B | 78 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Bald prangt, den Morgen zu verkünden" | Wolfgang Amadeus Mozart, Soloists of the Tölzer Knabenchor, Dorothea Röschmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 169 BPM | ||
Turandot / Act 1: Gira la cote! | Giacomo Puccini, Coro de la Comunitat Valenciana, Andrea Bocelli, Jessica Nuccio, Orquestra de la Comunitat Valenciana, Zubin Mehta | B♭ Major | 1 | 6B | 81 BPM | ||
Carmen (1997 - Remaster), Act IV: Les voici! voici la quadrille! | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Major | 3 | 10B | 126 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): III. Ecce gratum (Behold the Spring) | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | F Major | 1 | 7B | 135 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
La Sonnambula / Act II: Ah, non credea mirarti | Vincenzo Bellini, Anna Netrebko, Saimir Pirgu, Coro Sinfonico di Milano Giuseppe Verdi, Mahler Chamber Orchestra, Claudio Abbado | F Major | 1 | 7B | 75 BPM | ||
Romeo and Juliette, Act II: L'amour! l'amour | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | B♭ Major | 1 | 6B | 84 BPM | ||
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, John Shirley-Quirk, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | E Minor | 3 | 9A | 86 BPM |
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