Franz Lehár, Thomas Blondelle, Gerd Vogel, KS Josef Forstner, Marie-Luise Schottleitner, Susanna Hirschler, Elisabeth Zeiler, Klára Vincze, Marius Burkert, Franz Lehár Orchester's 'Wiener Frauen: XII. Szene "Wenn ich an gestern Abend"' came out on July 19, 2023. The duration of Wiener Frauen: XII. Szene "Wenn ich an gestern Abend" is about 3 minutes long, at 3:20. Based on our data, "Wiener Frauen: XII. Szene "Wenn ich an gestern Abend"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 36 in Franz Lehár: Wiener Frauen by Franz Lehár, Marius Burkert, Chor des Lehár Festivals Bad Ischl, Franz Lehár Orchester, Sieglinde Feldhofer, Thomas Blondelle, Gerd Vogel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wiener Frauen: XII. Szene "Wenn ich an gestern Abend" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wiener Frauen: XII. Szene "Wenn ich an gestern Abend" by Franz Lehár, Thomas Blondelle, Gerd Vogel, KS Josef Forstner, Marie-Luise Schottleitner, Susanna Hirschler, Elisabeth Zeiler, Klára Vincze, Marius Burkert, Franz Lehár Orchester is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | D Major | 2 | 10B | 90 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: "Wie die Weiber...man behandelt ... Ja, das Studium der Weiber ist schwer" | Franz Lehár, René Kollo, Werner Krenn, Donald Grobe, Martin Vantin, Ernst Krukowski, Zoltan Kelemen, Manfred Röhrl, Berliner Philharmoniker, Herbert von Karajan | G Major | 5 | 9B | 67 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Die Csardasfurstin (The Gypsy Princess), Act II: Duet: Tanzen mochte ich | Emmerich Kálmán, Ruth-Margret Putz, Heinz Hoppe, Berlin Municipal Opera Orchestra, Hansgeorg Otto | D Major | 2 | 10B | 86 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
Ballszene | Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis | B Major | 3 | 1B | 98 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM |
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