Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis's 'Ballszene' came out on August 5, 1998. Since Ballszene is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra's "Hellmesberger: Waltzes and Quadrilles From Vienna" album is number 13 out of 14. In terms of popularity, Ballszene is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ballszene by Joseph Hellmesberger, Sr., Göttingen Symphony Orchestra, Christian Simonis to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
Suppé: Leichte Kavallerie | Franz von Suppé, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 138 BPM | ||
Gold und Silber, Op. 79 | Franz Lehár, Vienna Volksoper Orchestra, Franz Bauer-Theussl | C Major | 1 | 8B | 115 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Harp Concerto in C Major: III. Rondo. Allegro agitato | François-Adrien Boieldieu, Jutta Zoff, Staatskapelle Dresden, Siegfried Kurz | C Minor | 1 | 5A | 143 BPM | ||
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Wiener Blut, Walzer, Op. 354 | Johann Strauss II, Semyon Bychkov, Wiener Philharmoniker | C Major | 1 | 8B | 172 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM |
Section: 0.8471524715423584
End: 0.8502864837646484