"Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354" by Strauss Festival Orchestra, Johann Strauss II was released on October 6, 1988. Since Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Strauss Festival Orchestra's "Johann Strauss II.: Most Famous Waltzes" album is number 5 out of 9. On top of that, Hong Kong appears to be the country where this track was created. The popularity of Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 by Strauss Festival Orchestra, Johann Strauss II to be Presto (very, very fast) because the track has a tempo of 178 BPM, a half-time of 89BPM, and a double-time of 356 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
"The Trout" from Quintet for Strings and Piano, D 667, Op. 114 | Ensemble Piacevole | D Major | 1 | 10B | 121 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Marriage of Figaro | Jeff String | C Minor | 4 | 5A | 138 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romance. Andante | Wolfgang Amadeus Mozart, Leonard Bernstein, New York Philharmonic | D♭ Major | 7 | 3B | 96 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Münchner Rundfunkorchester/Willi Boskovsky, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Boccerini: Minuet In D | Richard Hartley | A Major | 1 | 11B | 200 BPM |
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