Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter made "Estudiantina, Waltz, Op. 191" available on June 30, 1993. Since Estudiantina, Waltz, Op. 191 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Waldteufel: The Best of Emile Waldteufel, Vol. 1 by Émile Waldteufel. The song's track number on the album is #9 out of 9 tracks. In terms of popularity, Estudiantina, Waltz, Op. 191 is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Estudiantina, Waltz, Op. 191 by Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Estudiantina, Waltz, Op. 191 being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Gerald Garcia, Slovak State Philharmonic Orchestra, Kosice, Peter Breiner | D Major | 2 | 10B | 140 BPM | ||
La bohème: Sono andati? - Instrumental | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | A♭ Major | 2 | 4B | 89 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Sobre La Olas (Over The Waves) | Juventino Rosas, Andrew Davis | G Major | 1 | 9B | 167 BPM | ||
La Bayadere: Coda: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 178 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | ||
La Bayadere: Variation 1: Andante | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 130 BPM | ||
Hereinspaziert, op. 518, Walzer | Großes Wiener Rundfunkorchester, Robert Stolz | G Major | 3 | 9B | 68 BPM |
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