"Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen" by Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon was released on August 1, 2015. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Operettenparade". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Hungary. Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen by Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Zar & Zimmermann: Greifet an und rührt die Hände | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | F Major | 4 | 7B | 129 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 2, Stehe still | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Dvorak Symphony No 8 Sht | Belize Ensemble | G Major | 0 | 9B | 61 BPM | ||
Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) | Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie | E Major | 0 | 12B | 129 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Gräfin Mariza, Act I: "Will die Frau Gräfin" - "Eh ein kurzer Mond" (Populescu, Zsupan, Mariza, Manja, Chor) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Josef Olah, Rupert Glawitsch, Sena Jurinaz, Traute Hoffmann, Chor Des NDR Hamburg | B♭ Major | 3 | 6B | 82 BPM | ||
Frau Luna: Einleitung - Schlösser, die im Monde liegen | Paul Lincke, Herta Talmar, Franz Fehringer, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 75 BPM | ||
Lucrezia Borgia / Act 2: Il segreto per esser felici | Gaetano Donizetti, Marilyn Horne, John Bröcheler, Richard van Allan, Graham Clark, Lieuwe Visser, Piero de Palma, Graeme Ewer, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM |
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