"Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico)" by Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie was released on August 1, 2002. With Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 44 in Donizetti: Lucia of Lammermoor by Gaetano Donizetti, David Parry, Philharmonia Orchestra, Elizabeth Futral, Alan Opie, Peter Wedd, Paul Charles Clarke, Peter Rose, Christine Rice. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia of Lammermoor, Part II. Act I Scene 2: Come here to me, Lucia (Enrico) by Gaetano Donizetti, David Parry, Philharmonia Orchestra, Alan Opie is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 1: "All'idea di quel metallo" (Figaro, Count Almaviva) | Gioachino Rossini, Tito Gobbi, Alceo Galliera, Luigi Alva, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
Puccini: Turandot, Act 1: "Signore, ascolta!" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Romeo and Juliette, Act III: Que fais-tu | Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
Puccini : La fanciulla del west : Act 3 "Risparmiate lo scherno... Ch'ella mi creda" [Johnson] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | F♯ Major | 2 | 2B | 82 BPM | ||
Carmen, WD 31 / Act 2: La fleur que tu m'avais jetée | Georges Bizet, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | E♭ Major | 3 | 5B | 96 BPM | ||
Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra) | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 2 | 7B | 85 BPM |
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