"Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra)" by Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra was released on 1979. The duration of Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 1 out of 44. Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria Rusticana (1987 - Remaster): Preludio (Orchestra) by Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
Massenet: Thaïs, Act II, Tableau 2: Méditation (Andante religioso) | Jules Massenet, Lorin Maazel, New Philharmonia Orchestra | D Major | 1 | 10B | 67 BPM | ||
3 Gymnopedies: III. Lent et Grave | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | A Minor | 0 | 8A | 73 BPM | ||
I. Cremona, The Red Violin | John Corigliano, Esa-Pekka Salonen, Philharmonia Orchestra | B Major | 1 | 1B | 93 BPM | ||
Festive Overture Op.96 | Dmitri Shostakovich, Philharmonia Orchestra, Vladimir Ashkenazy | A Major | 4 | 11B | 80 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Holberg Suite, Op.40: 1. Präludium (Allegro vivace) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 142 BPM | ||
Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM |
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