"Romeo and Juliette, Act III: Que fais-tu" by Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. The duration of Romeo and Juliette, Act III: Que fais-tu is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Romeo and Juliette, Act III: Que fais-tu's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 6 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act III: Que fais-tu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romeo and Juliette, Act III: Que fais-tu by Charles Gounod, Marie-Ange Todorovitch/Orchestre du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon Lescaut / Act 1: Ave, sera gentile | Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F♯ Minor | 2 | 11A | 128 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
Faust, CG 4: "Quel trouble inconnu me pénètre?" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | B♭ Major | 1 | 6B | 81 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Veni, veni, venias | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre Du Capitole De Toulouse | F Major | 5 | 7B | 78 BPM | ||
Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
The Dream of Gerontius, Op. 38: No. 6, "Sanctus Fortis, Sanctus Deus" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 2 | 6B | 85 BPM | ||
Ariadne auf Naxos: "Lieben, Hassen, Hoffen, Zagen" | Richard Strauss, Julie Kaufmann, Olaf Bär, Edita Gruberova, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 101 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
I Capuleti e i Montecchi, Act I - Scene 2: Oh! quante volte (Giulietta) | Vincenzo Bellini, Edita Gruberova, Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | F Major | 1 | 7B | 115 BPM |
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