Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti's 'La Gioconda / Act 1: Feste! Pane! Feste!' came out on January 1, 1981. The duration of La Gioconda / Act 1: Feste! Pane! Feste! is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. La Gioconda / Act 1: Feste! Pane! Feste!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Ponchielli: La Gioconda". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. La Gioconda / Act 1: Feste! Pane! Feste! is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Gioconda / Act 1: Feste! Pane! Feste! by Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 2: Ho! he! ho! he! Fissa il timone! | Amilcare Ponchielli, Sherrill Milnes, Neil Jenkins, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 87 BPM | ||
Jenufa / Act 1: Uz se vecer chyli | Leoš Janáček, Elisabeth Söderström, Marie Mrazova, Peter Dvorsky, Jana Jonasova, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Minor | 1 | 1A | 87 BPM | ||
The Dream of Gerontius, Op. 38, Pt.1: Proficiscere, anima Christiana | Sir Edward Elgar, Bryn Terfel, Sir Mark Elder, Hallé | D Major | 1 | 10B | 167 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: Then the handsome Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | C Minor | 2 | 5A | 65 BPM | ||
Lucia di Lammermoor, Act III: S'avanza Enrico | Gaetano Donizetti, Andrea Bocelli, Mariano Buccino, Stefano Antonucci, Zuzana Markova, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | F♯ Major | 3 | 2B | 124 BPM | ||
Il Trovatore / Act 3: "Di quella pira" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Richard Bonynge | C Major | 4 | 8B | 89 BPM | ||
Der fliegende Holländer, WWV 63 / Act 3: "Johohoe! Johohoe! Hoe! Hoe!" | Richard Wagner, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | A Major | 3 | 11B | 87 BPM | ||
Ponchielli: La Gioconda, Act 2: "Laggiù nelle nebbie remote" (Laura, Enzo) | Amilcare Ponchielli, Fiorenza Cossotto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro | D Major | 1 | 10B | 76 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Tannhäuser - Paris version / Act II: "Dort ist sie; nahe dich ihr ungestört!" - "Der Sänger klugen Weisen lauscht' ich sonst" | Richard Wagner, Cheryl Studer, Plácido Domingo, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 93 BPM |
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