Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester made "Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona)" available on December 8, 2023. The duration of Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) is about 3 minutes long, at 3:16. Based on our data, "Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Operette. Wien, Berlin, Paris". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) by Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM | ||
Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM | ||
Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 99 BPM | ||
Leoncavallo: Mattinata | Ruggero Leoncavallo, Enrico Caruso | E Major | 2 | 12B | 85 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Le Nozze di Figaro, K. 492: Atto terzo. Scene 9 & 10. N.21 Duettino Susanna, La Contessa "Su l'aria..." | Wolfgang Amadeus Mozart, Concerto Köln, Patrizia Ciofi, René Jacobs, Véronique Gens | B♭ Major | 1 | 6B | 83 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM |
Section: 0.7652461528778076
End: 0.769927978515625