Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra's 'Isabella: Overture' came out on December 1, 2012. Since Isabella: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Suppé: Overtures and Marches". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Isabella: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Isabella: Overture by Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ruslan and Lyudmila / Act 1: Overture | Mikhail Glinka, London Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 83 BPM | ||
Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 0 | 10B | 137 BPM | ||
Jokey-Polka, Polka schnell, Op. 278 | Joseph Strauss, Wiener Philharmoniker, Lorin Maazel | F Major | 7 | 7B | 87 BPM | ||
España, Walzer, Op. 236 | Émile Waldteufel, Mariss Jansons, Wiener Philharmoniker | F Major | 4 | 7B | 115 BPM | ||
For ever, Polka schnell, Op. 193 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | G Major | 3 | 9B | 88 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
4 Norwegian Dances, Op. 35: No. 4 in D-Major: Allegro molto | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 4 in G Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 77 BPM | ||
Cello Concerto, Op. 22: III. Molto allegro e appassionato | Samuel Barber, Wendy Warner, Royal Scottish National Orchestra, Marin Alsop | C Major | 1 | 8B | 84 BPM |
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