Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel's 'Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft' came out on 1994. Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Schumann : Rheinische symphonie symphonie n°4". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. In terms of popularity, Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft by Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
3 Romanzen, Op. 94: Einfach, innig | Robert Schumann, Jozsef Kiss, Jenő Jandó | A Major | 1 | 11B | 87 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Grieg: Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Leif Ove Andsnes | G Minor | 0 | 6A | 95 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM |
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