Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse
Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge
Adam: Giselle
6:24 1987
BPM
137
Key
D Major
Camelot
10B

Embed

Share Link

Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse - Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Information

Acousticness
85%
Danceability
31%
Energy
4%
Instrumentalness
5%
Liveness
11%
Loudness
59%
Speechiness
4%
Valence
8%
Popularity
Loudness
-24.409 dB

Summary

"Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse" by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on 1987. Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The song is number 5 out of 34 in Adam: Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Based on our statistics, Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse BPM

The tempo marking of Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.

Giselle / Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) Valse Key

D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Capriol Suite: 1. Basse-danse by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 1. Basse-dansePeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerD Minor27A133 BPM
La pentola magica, P. 129: Preludio by Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoLa pentola magica, P. 129: PreludioOttorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, AdrianoD Minor07A91 BPM
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance by Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimViolin Concerto No. 2 in D Minor, Op. 22: II. RomanceHenryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel BarenboimB♭ Major16B91 BPM
Giselle: Act II: Allegro moderato: Coda by Adolphe Adam, Sofia National Opera Orchestra, Boris SpassovGiselle: Act II: Allegro moderato: CodaAdolphe Adam, Sofia National Opera Orchestra, Boris SpassovA♭ Major14B134 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16 Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivaceFelix Mendelssohn, Leonard Bernstein, New York PhilharmonicD Major110B65 BPM
Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio by Moscow New Philharmonic Orchestra, Vladimir PonkinAct III: №28. Pas de deux / Aurore et Prince Desire / AdagioMoscow New Philharmonic Orchestra, Vladimir PonkinC Major18B78 BPM
Raymonda, Op. 57: Act II - Variation I by Alexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovRaymonda, Op. 57: Act II - Variation IAlexander Glazunov, Moscow Symphony Orchestra, Alexander AnissimovD♭ Major03B83 BPM
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo by Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkLes contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: IntermezzoJacques Offenbach, Slovak Radio Symphony Orchestra, Keith ClarkG Major19B93 BPM
Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana by Ottorino Respighi, Boston Symphony Orchestra, Seiji OzawaAncient Airs And Dances, Suite No.3, P. 172: 3. SicilianaOttorino Respighi, Boston Symphony Orchestra, Seiji OzawaC Minor25A109 BPM
Violin Concerto No. 5 in A Major, K. 219 Violin Concerto No. 5 in A Major, K. 219 "Turkish": 1. Allegro apertoWolfgang Amadeus Mozart, Henryk Szeryng, New Philharmonia Orchestra, Alexander GibsonD Major110B71 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7462389469146729

End: 0.7516705989837646