Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa's 'Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana' came out on January 1, 1979. The duration of Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana is about 3 minutes long, at 3:03. Based on our data, "Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Respighi: Ancient Airs and Dances". In this album, this song's track order is #11. In terms of popularity, Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ancient Airs And Dances, Suite No.3, P. 172: 3. Siciliana by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Theme From Schindler's List | John Williams, Itzhak Perlman, Boston Symphony Orchestra | D Minor | 1 | 7A | 99 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Forest Tale | Wilhelm Becker, Nikolai Nazarov, Отдельный показательный оркестр Министерства обороны СССР | D♭ Major | 2 | 3B | 110 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
Cello Concerto in E Minor, RV 409: II. Allegro | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | E Minor | 2 | 9A | 145 BPM | ||
Autumn Dream | Archibald Joyce, Victor Makarov, Exemplary Orchestra of Interior Forces of USSR MOI | F♯ Major | 2 | 2B | 178 BPM | ||
Arrival To Netherfield - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | C Major | 2 | 8B | 89 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 84 BPM | ||
Boléro, M.81 - Excerpt | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | F Major | 7 | 7B | 140 BPM |
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