"Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio" by Moscow New Philharmonic Orchestra, Vladimir Ponkin was released on 2004. With this song being about 5 minutes long, at 5:04, "Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio" by Moscow New Philharmonic Orchestra, Vladimir Ponkin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "P. Tchaikovsky: The Sleeping Beauty, ballet (excerpts)". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United States. Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act III: №28. Pas de deux / Aurore et Prince Desire / Adagio by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
Act III: Variation III. La fee Saphir | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 2 | 8B | 134 BPM | ||
Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | Felix Mendelssohn, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
Leaving Netherfield - From "Pride & Prejudice" Soundtrack | Jean-Yves Thibaudet | C Minor | 1 | 5A | 104 BPM | ||
Musica for 12 | Music Contemporary Musica Ensemble, Elena Firsova, Vladimir Ponkin | G Major | 0 | 9B | 168 BPM | ||
Traumerei am Meeresufer (arr. H. Geese) | Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
L'amant anonyme: Ballet No. 6 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 2 | 11B | 128 BPM |
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