"Suite for Violin and Piano: II. Mother and Child" by William Grant Still, Randall Goosby, Zhu Wang had its release date on June 25, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Roots". In this album, this song's track order is #10. In terms of popularity, Suite for Violin and Piano: II. Mother and Child is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite for Violin and Piano: II. Mother and Child by William Grant Still, Randall Goosby, Zhu Wang having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Ancient Airs And Dances, Suite No.2, [P. 138]: 3. Campanae parisienses - Aria | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Major | 0 | 8B | 74 BPM | ||
Liebeslied (arr. for viola and piano) | Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino | A Major | 1 | 11B | 74 BPM | ||
Marietta's Lied | Erich Wolfgang Korngold, Yo-Yo Ma, Kathryn Stott | B♭ Major | 0 | 6B | 78 BPM | ||
Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto | Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève | E Major | 5 | 12B | 85 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
Variations on "Là ci darem la mano" from Mozart's Don Giovanni, Op. 2: Var. V. Adagio | Frédéric Chopin, Jan Lisiecki, NDR Elbphilharmonie Orchester, Krzysztof Urbański | F♯ Major | 0 | 2B | 75 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |