"Ancient Airs And Dances, Suite No.2, [P. 138]: 3. Campanae parisienses - Aria" by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1979. Ancient Airs And Dances, Suite No.2, [P. 138]: 3. Campanae parisienses - Aria is about six minutes long, preciously at 5:56, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Respighi: Ancient Airs and Dances". In this album, this song's track order is #7. Ancient Airs And Dances, Suite No.2, [P. 138]: 3. Campanae parisienses - Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ancient Airs And Dances, Suite No.2, [P. 138]: 3. Campanae parisienses - Aria by Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Saito Kinen Orchestra, Seiji Ozawa | F Major | 6 | 7B | 143 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Christer Thorvaldsson, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 1 | 10B | 86 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Scheherazade, Op. 35: III. The Young Prince and The Young Princess | Nikolai Rimsky-Korsakov, Vasily Petrenko, Oslo Philharmonic Orchestra | G Major | 0 | 9B | 98 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: II. Polka | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
Symphony No. 9 in E-Flat Major , Op. 70: I. Allegro - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | C Minor | 2 | 5A | 130 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: III. Andante sostenuto | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | A♭ Major | 2 | 4B | 93 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | B Major | 1 | 1B | 89 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto - Live | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | A Minor | 1 | 8A | 64 BPM |
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