"Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo" by Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra was released on 1983. Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Shostakovich, Kabalevsky: Cello Concertos (Remastered)". In this album, this song's track order is #4. Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo by Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Fantasia in C minor, K.475: Andantino | Wolfgang Amadeus Mozart, András Schiff | C Minor | 0 | 5A | 142 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM | ||
30 Pieces for Children, Op. 27: 30. Dramatic Episode | Dmitry Kabalevsky, Sahan Arzruni | D Major | 1 | 10B | 144 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Prélude No. 23 in F Major, Op. 38: Andante sostenuto | Dmitry Kabalevsky, Christoph Deluze | F Major | 0 | 7B | 56 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM |
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