"Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato" by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1988. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa's "Liszt: Piano Concertos Nos.1 & 2; Totentanz" album is number 3 out of 8. Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: Allegro deciso - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 3 | 6B | 131 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | E Major | 1 | 12B | 128 BPM | ||
Piano Concerto No.1 in C major, Op.15: 2. Largo | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker | A♭ Major | 0 | 4B | 72 BPM | ||
String Quartet in D minor Op. 76 No. 2 "Fifths": I. Allegro | Franz Joseph Haydn, Alban Berg Quartett | D Minor | 1 | 7A | 129 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
Via Crucis, S53/R534: Station XIV: Jesus wird ins Grab gelegt | Franz Liszt, Dorothee Labusch, Furio Zanasi, Ulrich Rausch, Diego Fasolis, Radio Svizzera Choir, Lugano | G Minor | 0 | 6A | 80 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM |
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