"Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro" by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1999. Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée". In this album, this song's track order is #4. Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: III. Allegro | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez | F♯ Minor | 1 | 11A | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | B♭ Minor | 1 | 3A | 86 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Infernale | Alexander Scriabin, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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