"Liebeslied (arr. for viola and piano)" by Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino was released on January 1, 1999. The duration of Liebeslied (arr. for viola and piano) is about 3 minutes long, at 3:27. Based on our data, "Liebeslied (arr. for viola and piano)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Viola Recital: Bianchi, Luigi Alberto - Paganini, N. / Kreisler, F. / Sarasate, P. by Luigi Alberto Bianchi, Jacques Delacote. The song's track number on the album is #3 out of 11 tracks. Liebeslied (arr. for viola and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Liebeslied (arr. for viola and piano) by Fritz Kreisler, Luigi Alberto Bianchi, Bruno Canino has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Liebeslied (arr. for viola and piano) being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 | Franz Schubert, Gil Shaham, Göran Söllscher | G Major | 1 | 9B | 79 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano) | Claude Debussy, Luigi Alberto Bianchi, Bruno Canino | G Major | 0 | 9B | 69 BPM | ||
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
The Old Refrain | Fritz Kreisler, Elissa Lee Koljonen, Robert Koenig | C Major | 1 | 8B | 108 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Violin Concerto No. 5 in D Major, Op. 22: III. Rondo. Allegretto | Friedrich Seitz, Hyejin Chung, Warren Lee | D Major | 1 | 10B | 111 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
La Gitana | Fritz Kreisler, Joshua Bell, Paul Coker | D Major | 1 | 10B | 100 BPM | ||
Baal Shem: II. Nigun (arr. for viola and piano) | Ernest Bloch, Luigi Alberto Bianchi, Bruno Canino | G Major | 1 | 9B | 87 BPM |
Section: 0.6576333045959473
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