"Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano)" by Claude Debussy, Luigi Alberto Bianchi, Bruno Canino was released on January 1, 1999. The duration of Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Recital: Bianchi, Luigi Alberto - Paganini, N. / Kreisler, F. / Sarasate, P. by Luigi Alberto Bianchi, Jacques Delacote. The song's track number on the album is #10 out of 11 tracks. Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano) by Claude Debussy, Luigi Alberto Bianchi, Bruno Canino has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Preludes, Book 1: No. 8. La fille aux cheveux de lin (The girl with the flaxen hair) (arr. for viola and piano) being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Serenade in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Prélude à l’après-midi d’un faune | Claude Debussy, Philippe Bernold, Ariane Jacob, Gérard Caussé, Isabelle Moretti | B Major | 0 | 1B | 70 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Erik Satie: Gymnopédie No. 1 | Pyotr Godunov | G Major | 1 | 9B | 69 BPM |
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