Franz Schubert, Gil Shaham, Göran Söllscher's '20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12' came out on January 1, 2002. With 20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Schubert: Schubert for Two". In this album, this song's track order is #8. 20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 20 Waltzes (Letzte Waltzer) D 146, Op.127: Valse (Ländler) No.12 by Franz Schubert, Gil Shaham, Göran Söllscher having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Ballade No. 3 In A-Flat Major, Op. 47 | Frédéric Chopin, Krystian Zimerman | A♭ Major | 1 | 4B | 88 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Drei Klavierstücke, D946: III. Allegro | Franz Schubert, Fabian Müller | A Major | 1 | 11B | 87 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Sonata Concertata In A Major For Guitar & Violin, Op.61, M.S. 2: Allegro spiritoso | Niccolò Paganini, Gil Shaham, Göran Söllscher | E Major | 1 | 12B | 74 BPM |
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