"Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante" by Ludwig van Beethoven, Mischa Maisky, Martha Argerich was released on January 1, 1993. The duration of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 24 in Beethoven: Cello Sonatas Op.69 & 102; Variations by Ludwig van Beethoven, Mischa Maisky, Martha Argerich. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante by Ludwig van Beethoven, Mischa Maisky, Martha Argerich is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Après un rêve (Arr. by Söllscher) | Gabriel Fauré, Jian Wang, Göran Söllscher | F Minor | 1 | 4A | 100 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
18 Études, Op. 109: No. 7, Berceuse | Franz Burgmüller, Carl Petersson | F Major | 0 | 7B | 85 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto (Arr. for String Quartet by Paul Cassidy) | Ludwig van Beethoven, Brodsky Quartet | G Major | 1 | 9B | 96 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
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