Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève's 'Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto' had a release date set for January 15, 2004. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Poulenc: Concertos, Aubade - Le Sage / Braley". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto pour deux pianos et orchestre en ré mineur, FP 61: II. Larghetto by Francis Poulenc, Eric Le Sage, Frank Braley, Orchestre Philharmonique de Liège, Stéphane Denève having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch-Tratsch-Polka, Op. 214 - Arranged By György Cziffra | Johann Strauss II, Yuja Wang | E Major | 2 | 12B | 95 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
Danzas Españolas, Op. 37: II. Oriental. Andante | Enrique Granados, Alicia de Larrocha | C Minor | 0 | 5A | 62 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Louis Lortie | F Major | 2 | 7B | 80 BPM | ||
Sonata in A Major, Kk.208 | Domenico Scarlatti, Alexandre Tharaud | A Major | 1 | 11B | 130 BPM | ||
Fauré / Orch. Ducros: Pavane, Op. 50 | Gabriel Fauré, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Minor | 0 | 11A | 82 BPM | ||
Deux Arabesques L. 66: No. 1 Andante con moto | Claude Debussy, Jean-Yves Thibaudet | F♯ Minor | 0 | 11A | 72 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 | Daniel Barenboim | A Minor | 1 | 8A | 107 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM |