"Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846" by Daniel Barenboim was released on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C Major BWV846 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chanson de nuit, Op. 15, No. 1 | Edward Elgar, New Zealand Symphony Orchestra, James Judd | F♯ Major | 3 | 2B | 133 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
Nocturne No.12 In G, Op.37 No.2 | Frédéric Chopin, Daniel Barenboim | G Major | 0 | 9B | 67 BPM | ||
Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Daniel Barenboim | G Major | 0 | 9B | 68 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Cello Concerto in A Major, Wq.172: III. Allegro assai | Carl Philipp Emanuel Bach, Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi | D♭ Minor | 2 | 12A | 77 BPM | ||
Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Monika Razynska, Arkadiusz Kropa | B♭ Major | 4 | 6B | 129 BPM | ||
Gnossiennes: I. Lent | Erik Satie, Hélène Grimaud | D Minor | 0 | 7A | 68 BPM | ||
Bach, CPE: Cello Concerto in A Major, Wq. 172: III. Allegro assai (Cadenza by Mørk) | Carl Philipp Emanuel Bach, Truls Mørk, Bernard Labadie, Les Violins du Roy | D♭ Minor | 3 | 12A | 109 BPM | ||
A Chloris: À Chloris | Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte | E Major | 0 | 12B | 173 BPM |
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