"Danzas Españolas, Op. 37: II. Oriental. Andante" by Enrique Granados, Alicia de Larrocha was released on 1990. With this song being about 5 minutes long, at 4:41, "Danzas Españolas, Op. 37: II. Oriental. Andante" by Enrique Granados, Alicia de Larrocha is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 42 in Alicia de Larrocha plays Granados by Enrique Granados, Alicia de Larrocha. Danzas Españolas, Op. 37: II. Oriental. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Danzas Españolas, Op. 37: II. Oriental. Andante by Enrique Granados, Alicia de Larrocha is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Menuet en Sol Mineur, Transcription de Wilhem Kempff d’après Le Menuet de la Suite en Si Bémol Majeur No. 1, HWV 434, 1er Cahier | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Carnaval, Op. 9: 11. Chiarina | Robert Schumann, Alicia de Larrocha | A♭ Major | 0 | 4B | 78 BPM | ||
Rondo II in D Minor, H. 290 | Carl Philipp Emanuel Bach, Víkingur Ólafsson | B♭ Major | 1 | 6B | 79 BPM | ||
A Chloris: À Chloris | Reynaldo Hahn, Tanguy de Williencourt, Théotime Langlois de Swarte | E Major | 0 | 12B | 173 BPM | ||
Rêverie, L. 68 | Claude Debussy, Alice Sara Ott | G Minor | 0 | 6A | 68 BPM | ||
Piano Concerto in D Flat Major: 3. Allegro brillante | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D♭ Major | 2 | 3B | 81 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Escenas románticas: I. Mazurka. Poco lento e con abbandono - Recitativo | Enrique Granados, Alicia de Larrocha | B♭ Minor | 0 | 3A | 72 BPM |
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