"Prélude à l'après-midi d'un faune, L. 86" by Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1986. Prélude à l'après-midi d'un faune, L. 86 appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Debussy: La Mer; Prélude à l'après-midi / Ravel: Pavane; Daphnis et Chloé No.2 by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta, Baltimore Symphony Orchestra, David Zinman, Erik Satie, Reinbert de Leeuw, Berliner Philharmoniker, Herbert von Karajan. Prélude à l'après-midi d'un faune, L. 86 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
Concerto for Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | G Major | 3 | 9B | 121 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Petrushka: Danse Russe | Igor Stravinsky, Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | A Minor | 3 | 8A | 121 BPM | ||
Mozart: Symphony No. 29 in A Major, K. 201: II. Andante | Wolfgang Amadeus Mozart, Herbert von Karajan, Berliner Philharmoniker | D Major | 0 | 10B | 67 BPM |
Section: 0.7302007675170898
End: 0.7350993156433105