"Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue" by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra was released on February 14, 1997. The duration of Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue is about 3 minutes long, at 3:28. Based on our data, "Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams: Symphony No. 9 & Job by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra. The song's track number on the album is #16 out of 16 tracks. In terms of popularity, Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue by Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue being at 99 BPM, the half-time would be 50 BPM with a double-time of 198 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Variation 1: L'istesso tempo | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Major | 0 | 11B | 52 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Schumann: Cello Concerto in A Minor, Op. 129: II. Langsam (Live) | Robert Schumann, Gautier Capuçon, Bernard Haitink, Chamber Orchestra of Europe | F Major | 0 | 7B | 83 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM | ||
A la manière de. . . Chabrier | Maurice Ravel, Werner Haas | C Major | 0 | 8B | 87 BPM | ||
Dona Nobis Pacem: Agnus Dei | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | G Minor | 1 | 6A | 85 BPM |
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