Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker's 'Variation 1: L'istesso tempo' came out on January 19, 1995. The duration of Variation 1: L'istesso tempo is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Variation 1: L'istesso tempo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Reger: Mozart Variations Op. 132 / Hiller Variations Op. 100". In this album, this song's track order is #2. Variation 1: L'istesso tempo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variation 1: L'istesso tempo by Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker having a BPM of 52 with a half-time of 26 BPM and a double-time of 104 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
Symphonic Metamorphosis after Themes by Carl Maria von Weber: Marsch | Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker | E♭ Major | 1 | 5B | 165 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 12. Andante sostenuto | Max Reger, Marc-André Hamelin | E♭ Major | 0 | 5B | 92 BPM |
Section: 0.8158471584320068
End: 0.8192920684814453