Francesco Cavalli, Michel Corboz, Agnès de Crouzat, Luciano Sgrizzi, Ricardo Cassinelli, English Bach Festival Baroque Orchestra made "Cavalli: Ercole amante, Act 3, Scene 10: "Addio paggio" (Licco, Il Paggio)" available on July 1, 1981. The duration of Cavalli: Ercole amante, Act 3, Scene 10: "Addio paggio" (Licco, Il Paggio) is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Cavalli: Ercole amante, Act 3, Scene 10: "Addio paggio" (Licco, Il Paggio)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 47 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cavalli: Ercole amante, Act 3, Scene 10: "Addio paggio" (Licco, Il Paggio) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cavalli: Ercole amante, Act 3, Scene 10: "Addio paggio" (Licco, Il Paggio) by Francesco Cavalli, Michel Corboz, Agnès de Crouzat, Luciano Sgrizzi, Ricardo Cassinelli, English Bach Festival Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Calisto, Act I Scene 8: "Parto e porto partendo" (Endimione) | Francesco Cavalli, René Jacobs, Graham Pushee, Alessandra Mantovani, Concerto Vocale | A Major | 1 | 11B | 82 BPM | ||
Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | ||
Strozzi: Arie, Op. 8 No. 6: "Che si può fare" | Barbara Strozzi, Emőke Baráth, Francesco Corti, Il Pomo D'oro | C Major | 1 | 8B | 73 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata | Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent | A♭ Minor | 1 | 1A | 122 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Te Deum, H. 146: V. Tu devicto mortis aculeo | Marc-Antoine Charpentier, Véronique Gens, Jean-Paul Fouchécourt, William Christie, Bernard Deletré, Les Arts Florissants, Gilles Ragon | D♭ Major | 3 | 3B | 124 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM |
Section: 0.6353936195373535
End: 0.6383233070373535