"Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata" by Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent was released on January 7, 2014. The duration of Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Image of Melancholy". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mystery (Rosary) Sonata No. 9, "Jesus Carries the Cross": I. Sonata by Heinrich Ignaz Franz von Biber, Bjarte Eike, Milos Valent having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. (Allegro giusto) | Antonio Vivaldi, Tom Finucane, New London Consort, Philip Pickett | D♭ Major | 0 | 3B | 111 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Concerto grosso No. 7 in D Major, Op. 6: III. Andante largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | B♭ Minor | 1 | 3A | 144 BPM | ||
Suzanna Galliard, P. 91 | John Dowland, Bjarte Eike, Barokksolistene | C Major | 1 | 8B | 137 BPM | ||
Peer Gynt, Op. 23 / Act III: Solveig's Song (Arr. for Cello and Piano by Georg Goltermann) | Edvard Grieg, Mischa Maisky, Lily Maisky | B♭ Major | 1 | 6B | 135 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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