Francesco Paolo Tosti, Joseph Schmidt, Orchestra der Städtischen Oper Berlin, Selmar Meyrowitz made "Marechiare (Sung in Neapolitan) [Remastered 2022]" available on November 11, 2022. The duration of Marechiare (Sung in Neapolitan) [Remastered 2022] is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Marechiare (Sung in Neapolitan) [Remastered 2022]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Schmidt's "Joseph Schmidt: Complete Studio Recordings (Remastered 2022)" album is number 20 out of 126. On top of that, Germany appears to be the country where this track was created. Marechiare (Sung in Neapolitan) [Remastered 2022] is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Marechiare (Sung in Neapolitan) [Remastered 2022] by Francesco Paolo Tosti, Joseph Schmidt, Orchestra der Städtischen Oper Berlin, Selmar Meyrowitz to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Boheme, vierter Akt: Sono andati fingevo di dormire | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) | Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
Pagliacci / Prologue: Prelude | Ruggero Leoncavallo, Philadelphia Orchestra, Riccardo Muti | G Major | 1 | 9B | 140 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Il barbiere di Siviglia / Act 1: No.7 Duetto: "Dunque io son... tu non m'inganni?" | Gioachino Rossini, Teresa Berganza, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | G Major | 2 | 9B | 101 BPM | ||
He's Gone Away | Kathleen Battle | F Major | 1 | 7B | 80 BPM | ||
Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
La Boheme, dritter Akt: D'onde lieta Usci | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM |
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