- BPM
- 138
- Key
- B♭ Major
- Camelot
- 6B
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) - Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra Information
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 14%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 14%
- Popularity
- 10%
- Loudness
- -16.685 dB
Summary
"Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)" by Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra was released on 2004. Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There is only one song in 100 Best Opera Classics, so we believe that "Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)" is a single. Based on our statistics, Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) BPM
The tempo marking of Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) by Elisabeth Schwarzkopf, Karl Böhm, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Recitative & Aria:Temerari....Come Scoglio (Cosi Fan Tutte, Act I) Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Contes d'Hoffmann (2003 - Remaster), Act III: Et moi, ce n'est pas là, pardieu!...Amis l'amour tendre et rêveur (Hoffmann/Chorus/Schlémil/Giuletta/Pittichinaccio) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A♭ Major | 3 | 4B | 87 BPM | |
 | Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | |
 | Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | |
 | Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | |
 | Bach, JS: Notebook for Anna Magdalena Bach: No. 25, Aria. "Bist du bei mir", BWV 508 (After Stölzel's Diomedes) | Johann Sebastian Bach, Elisabeth Schwarzkopf, Gerald Moore | B Major | 0 | 1B | 80 BPM | |
 | Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | |
 | Turandot (2008 Digital Remaster), Act II - Scene II: Figlio del cielo! | Giacomo Puccini, Maria Callas, Eugenio Fernandi, Elisabeth Schwarzkopf, Giuseppe Nessi, Nicola Zaccaria, Tul, Elisabetta Fusco, Giulio Mauri, Coro Del Teatro Alla Scala Di Milano, Pinuccia Perotti, Piero de Palma, Renato Ercolani, Orchestra Del Teatro Alla Scala, Milano, Mario Borriello, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F♯ Major | 3 | 2B | 78 BPM | |
 | Mozart: Sehnsucht nach dem Frühling, K. 596 | Wolfgang Amadeus Mozart, Elisabeth Schwarzkopf, Walter Gieseking | F Major | 0 | 7B | 120 BPM | |
 | Bach: Cantata "Weichet nur, betrbte Schatten", BWV 202: No. 6, Recitative "Und dieses ist das Glcke" (Soprano) | Johann Sebastian Bach, Elisabeth Schwarzkopf, Otto Klemperer, Royal Concertgebouw Orchestra | F Major | 0 | 7B | 120 BPM | |
 | Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM |
- ISRC
- GBAYC8805193
- Label
- L-M Records/RCA Records
Section: 1.5977792739868164
End: 1.6011383533477783