"Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!"" by Charles Gounod, Jonas Kaufmann, Bertrand de Billy was released on September 15, 2017. Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The track order of this song in Jonas Kaufmann's "L'Opéra" album is number 1 out of 14. On top of that, United States appears to be the country where this track was created. Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" by Charles Gounod, Jonas Kaufmann, Bertrand de Billy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Manon: "En fermant les yeux" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 1 | 10B | 82 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Es muss ein Wunderbares sein, S. 314 | Franz Liszt, Jonas Kaufmann, Helmut Deutsch | F♯ Minor | 1 | 11A | 173 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Au fond du temple saint" | Georges Bizet, René Bianco, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | E♭ Major | 3 | 5B | 66 BPM | ||
La vie parisienne / Act I: "Je suis brésilien" (Arr. for Tenor, Cello and Orchestra by Alessandro Bares) - Bonus Track | Jacques Offenbach, Rolando Villazón, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | F Major | 3 | 7B | 137 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Ciganské melodie (Gypsy Melodies), Op. 55: 4. Songs my mother taught me (Kdyz mne stara matka) | Antonín Dvořák, Magdalena Kozená, Malcolm Martineau | G Minor | 4 | 6A | 160 BPM | ||
Romeo and Juliette, Act I: Eh! bien! cher Paris | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers, Orphée) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 0 | 5A | 69 BPM |
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