"Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?"" by Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan was released on January 1, 1966. Since Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan's "Mascagni: Cavalleria Rusticana" album is number 15 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana: "Ah! lo vedi, che hai tu detto?" by Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "La dolcissima effigie sorridente" | Francesco Cilea, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | A♭ Major | 2 | 4B | 85 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Madama Butterfly / Act 2: Non ve l'avevo detto? | Giacomo Puccini, Robert Kerns, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 94 BPM | ||
Lucia di Lammermoor: "Fra poco a me ricovero" | Gaetano Donizetti, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | D Major | 2 | 10B | 165 BPM | ||
Pagliacci / Act 1: "Recitar!" - "Vesti la giubba" | Ruggero Leoncavallo, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | E Minor | 2 | 9A | 83 BPM | ||
Puccini: Tosca, Act 2: "Tosca è un buon falco" (Scarpia, Sciarrone) | Giacomo Puccini, Tito Gobbi, Dario Caselli, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
Il trovatore / Act III: "Ah sì ben mio" | Giuseppe Verdi, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 3 | 5B | 81 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
«Ninon» | Leo Nucci | E Major | 1 | 12B | 168 BPM | ||
Simon Boccanegra / Act 3: Gran Dio, li benedici | Giuseppe Verdi, Mirella Freni, Piero Cappuccilli, José Carreras, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 2 | 4B | 89 BPM |
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