"Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue"" by Nicola Porpora, Andreas Scholl, Accademia Bizantina, Ottavio Dantone was released on January 1, 2006. Since Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "The Best of Andreas Scholl". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Trionfo di Camilla - Critical Ed. Dr. Alessandro Borin: "Va'per le vene il sangue" by Nicola Porpora, Andreas Scholl, Accademia Bizantina, Ottavio Dantone having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polifemo: Aria: Dolci, fresche aurette grate - Aci | Nicola Porpora, Yuriy Mynenko, George Petrou, Armonia Atenea | E♭ Major | 2 | 5B | 96 BPM | ||
Mondonville : In exitu Israel : "Mare vivit" | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | D♭ Major | 3 | 3B | 62 BPM | ||
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Magnificat, W. E22: Et misericordia eius (Chorus) | Johann Christian Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresden Chamber Choir, La Stagione Frankfurt, Michael Schneider | B Major | 3 | 1B | 64 BPM | ||
Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM | ||
Germanico in Germania / Act 1: "Dunque sarà pur vero che lasciar tu non voglia sì barbaro pensiero?" | Nicola Porpora, Dilyara Idrisova, Juan Sancho, Capella Cracoviensis, Jan Tomasz Adamus | E Major | 3 | 12B | 131 BPM | ||
Pallavicino: L'Antiope: "Vieni, corri, volami in braccio" (Antiope) | Carlo Pallavicino, Lea Desandre, Jupiter, Thomas Dunford | A♭ Major | 2 | 4B | 92 BPM | ||
Durante / Orch Courbier & Delaforge: Danza, Danza fanciulla gentile [Orch. Courbier & Delaforge] | Francesco Durante, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 4 | 11A | 109 BPM | ||
Polifemo: Recitativo - Galatea, Aci I | Nicola Porpora, Julia Lezhneva, Yuriy Mynenko, George Petrou, Armonia Atenea | D♭ Major | 2 | 3B | 99 BPM |
Section: 0.5700850486755371
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