"Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore)" by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge was released on October 13, 2023. Since Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Forgotten Arias - Gluck: Il re pastore: "Sol può dir come si trova" and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell / Arr. Pluhar: Timon of Athens, Z. 632: "Hark! How the Songsters of the Grove" | Henry Purcell, Christina Pluhar, L'Arpeggiata, Raquel Andueza | D Major | 2 | 10B | 128 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Che fiero momento" (Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Il giardino di rose: "Mentre io godo" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B Minor | 0 | 10A | 111 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Che disse? Che ascoltai?" (Orfeo) | Christoph Willibald Gluck, Stefan Plewniak, Jakub Józef Orliński, Il Giardino d'Amore | E♭ Minor | 3 | 2A | 113 BPM | ||
Marazzoli / Arr. Pluhar: "Dal cielo cader vid'io due stelle" | Marco Marazzoli, Christina Pluhar, Jakub Józef Orliński | D Minor | 1 | 7A | 118 BPM | ||
Dowland / Transcr. Garcia: A Musicall Banquet: No. 3, In Darkness Let Me Dwell | John Dowland, Philippe Jaroussky, Thibaut García | G Minor | 0 | 6A | 59 BPM | ||
De Bailly / Arr. Pluhar: Yo soy la locura. Passacalle (La Follie) | Henry de Bailly, Christina Pluhar, L'Arpeggiata, Philippe Jaroussky | E Minor | 3 | 9A | 134 BPM |
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