Carl Heinrich Graun, Regula Mühlemann made "Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria)" available on September 8, 2017. Since Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 13 in Cleopatra - Baroque Arias by Regula Mühlemann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) by Carl Heinrich Graun, Regula Mühlemann is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Philippe Jaroussky | G Major | 2 | 9B | 70 BPM | ||
Caccini: Le nuove musiche: VIII. Amarilli, mia bella | Giulio Caccini, Nathalie Stutzmann, Marie-Domitille Murez | F♯ Major | 1 | 2B | 170 BPM | ||
Silla / Act 3: "Parmi, ah no! Pur troppo, o Dio!" | Carl Heinrich Graun, Julia Lezhneva, Concerto Köln, Mikhail Antonenko | E♭ Minor | 1 | 2A | 71 BPM | ||
Ein Stündlein wohl vor Tag, Op. 10, No. 5 | Wilhelm Baumgartner, Regula Mühlemann | G Minor | 0 | 6A | 92 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Petite Messe solennelle: IX. Crucifixus | Gioachino Rossini, Regula Mühlemann, Tal & Groethuysen | C Major | 1 | 8B | 82 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Vittoria, mio core! | Giacomo Carissimi, Cecilia Bartoli, György Fischer | C Major | 1 | 8B | 91 BPM | ||
Rusalka, Op. 114, B. 203: Song to the Moon (Arr. for Soprano and Chamber Ensemble by Wolfgang Renz) | Antonín Dvořák, Regula Mühlemann, CHAARTS Chamber Artists | F♯ Major | 1 | 2B | 105 BPM |
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