Wilhelm Baumgartner, Regula Mühlemann's 'Ein Stündlein wohl vor Tag, Op. 10, No. 5' came out on November 8, 2019. The duration of Ein Stündlein wohl vor Tag, Op. 10, No. 5 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Ein Stündlein wohl vor Tag, Op. 10, No. 5's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Regula Mühlemann's "Lieder der Heimat / Songs from Home" album is number 6 out of 22. In terms of popularity, Ein Stündlein wohl vor Tag, Op. 10, No. 5 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ein Stündlein wohl vor Tag, Op. 10, No. 5 by Wilhelm Baumgartner, Regula Mühlemann to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mayenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | A Major | 0 | 11B | 71 BPM | ||
Va, ché l'hai fatto a me | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Ich sehe dich in tausend Bildern, Op.105, No. 1 | Max Reger, Huelgas Ensemble, Paul Van Nevel, Jos Van Immerseel | F♯ Minor | 0 | 11A | 72 BPM | ||
Stabat Mater, Op. 58: IV. Fac, ut ardeat cor meum (Largo) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Florian Boesch | B♭ Minor | 0 | 3A | 79 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Verborgenheit | Hugo Wolf, Jonas Kaufmann, Helmut Deutsch | E♭ Major | 1 | 5B | 121 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
Haugtussa, Op. 67: II. Veslemøy | Charlotte Hoather, George Todica | E Minor | 2 | 9A | 88 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
Elias, Op. 70: Teil I: Herr höre unser Gebet | Felix Mendelssohn, Thomas Hengelbrock | B♭ Minor | 0 | 3A | 71 BPM |
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