"Haugtussa, Op. 67: II. Veslemøy" by Charlotte Hoather, George Todica was released on April 11, 2017. The duration of Haugtussa, Op. 67: II. Veslemøy is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Haugtussa, Op. 67: II. Veslemøy's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charlotte Hoather, George Todica's "Haugtussa" album is number 2 out of 8. On top of that, United States appears to be the country where this track was created. Haugtussa, Op. 67: II. Veslemøy is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haugtussa, Op. 67: II. Veslemøy by Charlotte Hoather, George Todica to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Child of our Time, Part III: I would know my shadow and my light (Soloists, Chorus) | Michael Tippett, Pumeza Matshikiza, Sarah Connolly, Joshua Stewart, Ashley Riches, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Frühling | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | F♯ Major | 2 | 2B | 86 BPM | ||
One Voice (feat. Charlotte Hoather & Erin Alexander) | Tideswell Male Voice Choir, Charlotte Hoather, Erin Alexander | B♭ Major | 2 | 6B | 85 BPM | ||
Six Lieder, Op. 13: 2. Sie liebten sich beide | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | C Minor | 0 | 5A | 167 BPM | ||
The Year's At The Spring | Amy Beach, Deborah Voigt | D♭ Major | 2 | 3B | 130 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Piano Sonata No. 2 in B-Flat, Op. 36: II. Non allegro | George Todica | E Minor | 0 | 9A | 69 BPM | ||
Emmeline: Act Two: "I know nothing" | Santa Fe Opera | B♭ Minor | 1 | 3A | 67 BPM | ||
La bonne chanson, Op. 61: No. 2, Puisque l'aube grandit | Gabriel Fauré, Stéphane Degout, Alain Planès | D Major | 2 | 10B | 127 BPM | ||
Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM |
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